The Moth just released this behind-the-scenes video from our “Home: Lost and Found” program last year, in which Seattle residents learned how to tell their personal story of homelessness. Beautiful, poignant and a lesson for us all as we watch Fritzina and others find their voice.
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Editor’s note: This is re-posted from Firesteel and is the first installment of a three-part series on storytelling, empathy, and advocacy.
Written by Perry Firth, project coordinator, Seattle University’s Project on Family Homelessness and school psychology graduate student
I was mesmerized by Jack London’s Alaska: beautiful, severe, raw.
A skinny second grader belly down on the carpet of my bedroom floor, I was reading long after my parents had turned off my light.
But I had no choice! London’s writing had transported me to another world, free of the mundane realities that plague children, like a set bedtime and parents.
In this new world I empathized with London’s protagonist, a sled dog named Buck in Call of the Wild.
What is so powerful about this memory in hindsight is not that it marked the first time I fell in love with independent reading, but that it is a collective experience. Absolute absorption in a compelling story is something that almost all people can relate to; it is universal.
This absorption in another’s world happens, to varying degrees of intensity, every time we hear, read (or watch) a good story.
So here’s what fascinates me: Why does this happen? What is so important—evolutionarily—about stories that they command our attention in a way few things can? And are there stories that impact us more than others? Why does this occur? And, to be addressed a little later in this series, what does the hardwired human preference for stories mean for social justice advocates?
projectonfamilyhomelessness.org 