“Central Division” — Behind the Scenes on the Making of the Gentrification Documentary

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By Katie Bradley, with Tess Riski and Madison Vucci

Student Project Assistants, 2017-18

 

Note: For the third year in a row, our student assistants planned a campus event in support of Affordable Housing Week in King County, May 14 – May 18. This year’s team – Katie Bradley, Tess Riski, and Madison Vucci – decided to make a documentary focused on the gentrification of the Central District and the impact it has on access to affordable housing. On May 15, they hosted the premiere screening of their documentary and led a panel discussion after the film. Afterward, they reflected on what went well, what could be improved, what surprised them, and what they learned. 

First, here’s the film on YouTube:

 

Our purpose for making the documentary, “Central Division,” was to showcase the impact of gentrification in the Central District in relation to affordable housing. As Seattle University students, we recognize how close our school is to the Central District and how many of our peers and students live off campus there. In our four years of attending Seattle University, we have witnessed the changing the Central District and have questioned the impact we have as students individually and as an institution as a whole on the black community in the Central District.

We decided to make a documentary so that it could be passed along to other communities and leave a longer impression as a conversation starter for Affordable Housing Week. Continue reading

“When You’re Proud of What You’ve Done” — Inside the Pongo Poetry Training

Our new partnership will help bring this training to schools across the state

By Katie Bradley, Project Assistant, with Madison Vucci, Digital Design Project Assistant, Seattle University Project on Family Homelessness

 

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Madison (R) and me smiling by the Pongo Teen Writing sign, feeling fulfilled after a day full of learning, writing, and growing. 

 

A good day is when you’re proud of what you’ve done. A bad day is when you forget all of what you can do.”

I hadn’t written poetry since I was in fourth grade. But after attending the Pongo Poetry Training in October, I had a subtle sense of accomplishment about what I had shared, and a sense of pride that I’ve been trained in a process that can help so many people.

As I rode back to campus, I had three takeaways from the training repeating in my mind.

Everyone has a story. The world wants to hear your story. Poetry can be about anything. Continue reading

“The Florida Project” — Homelessness at the End of the Rainbow

It’s up to advocates to connect this story of family homelessness to action

By Katie Bradley, project assistant, Seattle University’s Project on Family Homelessness

 

As the credits for The Florida Project rolled, I was floored. This movie made me cry while I sat in the theater, and I didn’t even cry when I saw Titanic for the first time as a child. A movie about a family living in poverty at an Orlando budget motel got to me in the most heart-wrenching way.

I had just seen a raw portrait of family homelessness set in contrast with the happiest place on earth, Disney World. It made me want to do something to help families living like those depicted in the film. But I felt lost with what I could do, and it left me with my head spinning.

Fortunately for me, I work with a bunch of people who think about family homelessness all the time, and we think that we may be able to connect audiences to action, which we will explore later. First, here’s a description of this remarkable film and what it says about family homelessness.

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Bobby (Willem Dafoe) and Moonee (Brooklynn Prince), the two main characters in the movie, at the real-life Magic Castle budget hotel.  Credit: IMDB.

 

The Florida Project is a breakout movie that depicts the struggles of living in poverty from a childhood perspective, set in a not-so-magical purple budget motel, the Magic Castle. The film depicts the often-unseen struggles of homelessness, which director and co-writer Sean Baker calls the “hidden homeless,” to represent the life of the modern-day “Little Rascals” who live a “life on the margins.” Continue reading

What I Learned About Family & Youth Homelessness from #SeaHomeless

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By Tess Riski, Project Assistant, Seattle University Project on Family Homelessness

Editor’s Note: Seattle University Journalism and Teaching for Humanities rising senior Tess Riski recently joined our project team. This is her first post for our project. Read more about her here.

 

All day this past Wednesday, June 28, a host of Seattle media outlets participated in #SeaHomeless and concentrated their reporting on a group of people often kept in the shadows of mainstream news coverage: those experiencing homelessness.

I just started my position as Project Assistant at the Seattle University Project on Family Homelessness, and this last week has been an intense learning process for me. Continue reading

“Seeing Is Active” — A Collection of Memorable Quotes from “Streetwise Revisited”

By Shan Yonamine, Project Assistant, Seattle University Project on Family Homelessness

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Introduction – This project and my purpose

It has been over two weeks since the “Streetwise Revisited” exhibit at The Seattle Public Library  has closed, and I am still finding myself thinking about the project and reflecting on my experiences. I find myself torn between wishing that it wasn’t over, and feeling so grateful that it happened that I decided to reflect on it even further.

“Streetwise Revisited” was The Seattle Public Library’s public education program focused on “Streetwise,” the 1984 documentary film, and the 30-year collection of photos by the renowned documentary photographer Mary Ellen Mark. It consisted of a range of events from history talks to film screenings, and involved many important advocacy organizations that are also working to end homelessness.

Because the Seattle University Project on Family Homelessness  was a community partner, I took the opportunity to attend as many of the “Streetwise Revisited” events as possible and I’m so glad that I did. The project provided me with an overwhelming amount of insight on “Streetwise” and how it can be used as a tool for advocacy. I heard the perspectives of many individuals who either had a role in the original film or who are working today to advocate for people who are experiencing homelessness. More importantly, I realized that, as advocates, we are all powerfully connected by our cause.

Continue reading

There Is No Perfect Answer — What I Learned from “Tiny – The Life of Erin Blackwell”

 

By Shan Yonamine, Project Assistant, Seattle University Project on Family Homelessness

Erin crying and smoking, Seattle, 2004
Erin crying and smoking, Seattle, 2004. Photo by Mary Ellen Mark.

 

The first thing that I wanted after seeing “Streetwise” was answers. After watching the acclaimed 1984 documentary  and getting such a candid look into the lives of the nine children, I felt as though I developed an intimate connection to each of them. I knew that “Streetwise” was only one chapter in each of their stories, and I desperately wanted to know more.

In fact, I felt entitled to know more. After all, they had opened up their lives for all to see in the most raw, uncensored way. Wouldn’t they be used to sharing their lives with the world by now?

This is why I was so excited to attend the screening of “Tiny: The Life of Erin Blackwell” – the new film about one of the children in “Streetwise” — at The Seattle Public Library on Oct. 14. Both “Tiny” herself — Erin Blackwell — and director Martin Bell would be the special guests.

As I took my seat in the audience, I couldn’t help but wonder what I would find out from Erin and Martin about the “stars” of “Streetwise.” Where are they now? Are they still homeless? Are they still struggling with addiction? Or, had things gotten better for them? Maybe they got the help they needed. Maybe the film was a turning point for them. Maybe some of them are here today. All of these thoughts filled my mind as the lights dimmed and the movie began. I was ready for answers.

Continue reading

“The Uncomfortable Conversation” — Using “Streetwise” as a Tool for Advocacy

Editor’s Note: As part of our ongoing “Streetwise Revisited” work, our student project assistants are blogging about key events. Both Khadija and Shan wrote about the “Streetwise” screening, first Khadija and now Shan.

By Shan Yonamine, Project Assistant, Seattle University Project on Family Homelessness

 

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Poster for our campus screening of “Streetwise,” designed by Amy Phung.

 

“It didn’t change anything for us then,” said Erin “Tiny” Blackwell’s daughter Keanna Pickett about the impact of the documentary “Streetwise” on her family. “When people watch it, it’s a movie. You’re able to go about your life after you watch it.” In other words, Keanna was able to remove herself emotionally because the film can elicit powerful emotions that may be uncomfortable to deal with.

However, when “Tiny’s” daughter tells you that “Streetwise” should be used as the catalyst for an “uncomfortable conversation” about family and youth homelessness, you listen. Continue reading

The Fight for Her Life — “Streetwise” and Keanna’s Triumphant Story

Editor’s Note: As part of our ongoing “Streetwise Revisited” work, our student project assistants are blogging about key events. Both Khadija and Shan wrote about the “Streetwise” screening; here’s how Khadija saw it.

By Khadija Diallo, project assistant, Seattle University Project on Family Homelessness 

 

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Keanna Pickett, educator, photographer, social justice activist and daughter of Erin “Tiny” Blackwell.

Keanna Pickett said that she “had to fight for her life from her first breath.”

When Keanna said that at our campus screening of the film “Streetwise” Oct. 7, it  stuck with me, because most of us fight to succeed and make something of our lives. But for Keanna, that quote had more meaning — because she said her mother, Erin “Tiny” Blackwell, while pregnant with her, did “every possible drug” to try to kill her in the womb.

That sort of revelation from her mother could have possibly caused a permanent rift in their relationship. Apparently it didn’t, because Keanna seemed  perfectly comfortable talking about her difficult upbringing. Continue reading

The Woman Behind “Streetwise” — Exploring the Work of Mary Ellen Mark

Michelle Dunn Marsh of Photographic Center Northwest describes the enduring legacy of her mentor at this “Streetwise Revisited” event at The Seattle Public Library 

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Mary Ellen Mark. Photo by Joni Kabana Photography

 

By Shan Yonamine, Project Assistant, Seattle University Project on Family Homelessness

 

When I think of the “Streetwise” documentary, the image that immediately fills my mind is “Tiny in her Halloween costume” – the iconic photo of Erin “Tiny” Blackwell dressed elegantly in black, her stare piercing through the thin veil over her eyes. Many people will recognize this photo of Tiny, but they may not know about the photographer who made this iconic photo.

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Tiny in Her Halloween Costume. Photo by Mary Ellen Mark

I had the opportunity to attend an art history talk on Oct. 5 by Michelle Dunn Marsh – the executive director of Photographic Center Northwest and colleague of renowned documentary photographer, Mary Ellen Mark – and I learned more about the photographer behind this classic image.

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Michelle Dunn Marsh. Photo by Sylvia Plachy.

Continue reading

Remembering “Streetwise” — Why We’re Revisiting the Classic Documentary

By Shan Yonamine, Project Assistant, Seattle University Project on Family Homelessness

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When I joined this team a few months ago, I was given the chance to watch and react to films about youth and family homelessness. My favorite, by far, was “Streetwise.”

It has been over three decades since this revered documentary first stunned the American public; however, the legacy of the film lives on, as many of the social issues illuminated in the film remain extremely relevant today. After watching “Streetwise” I found that it is not only an artistic representation of youth homelessness in Seattle, but also a powerful tool for advocacy.

As a project, we recognize the historical poignancy of this film, and we will be hosting a free screening on Friday, Oct.7 at Seattle University for anyone who wants the opportunity to watch this significant documentary. This is part of The Seattle Public Library’s “Streetwise Revisited” project, and the screening is just one way we are supporting the project.

In “Streetwise,” renowned photographer Mary Ellen Mark, her husband, Martin Bell and producer Cheryl McCall take us on a journey by providing us with a firsthand perspective on what it’s like to be a homeless youth living on the streets of Seattle – a perspective that was only made possible by spending months observing, building relationships with and gaining the trust of the children they chronicled.

Erin (who goes by her street name “Tiny”) on Pike Street, Seattle, 1983
Erin (who goes by her street name “Tiny”) on Pike Street, Seattle, 1983. Photo by Mary Ellen Mark.

After watching “Streetwise” for the first time, I was taken aback to say the least. The film is stunning, raw, heartbreaking and beautiful all at the same time, which is not what I expected from a “documentary about youth homelessness in Seattle.” Continue reading