The annual tradition of saying goodbye to our graduating student team never gets easier. But here we are again, celebrating the reason why our project remains strong: We choose a team of outstanding student assistants each year, and we get to watch them change the world while they’re still in school. Then it comes time to let go. Continue reading
It has been over two weeks since the “Streetwise Revisited” exhibit at The Seattle Public Library has closed, and I am still finding myself thinking about the project and reflecting on my experiences. I find myself torn between wishing that it wasn’t over, and feeling so grateful that it happened that I decided to reflect on it even further.
“Streetwise Revisited” was The Seattle Public Library’s public education program focused on “Streetwise,” the 1984 documentary film, and the 30-year collection of photos by the renowned documentary photographer Mary Ellen Mark. It consisted of a range of events from history talks to film screenings, and involved many important advocacy organizations that are also working to end homelessness.
Because the Seattle University Project on Family Homelessness was a community partner, I took the opportunity to attend as many of the “Streetwise Revisited” events as possible and I’m so glad that I did. The project provided me with an overwhelming amount of insight on “Streetwise” and how it can be used as a tool for advocacy. I heard the perspectives of many individuals who either had a role in the original film or who are working today to advocate for people who are experiencing homelessness. More importantly, I realized that, as advocates, we are all powerfully connected by our cause.
Art is my coping mechanism. During the artistic process, there is power in the hands of the maker. Regardless of whether anyone sees the result or even if it is “good,” this power is healing, inspiring and uplifting.
At The Seattle Public Library’s “Create Change: Youth & Family Homelessness and the Arts” event on Oct. 29, 2016, I had the opportunity to come together with a community of people to find out how art can be used to take action towards ending youth and family homelessness. You can see an in-depth description of the full day of performances, speakers and arts events here in this story by my colleague Shan.
There’s a teenage girl with a black eye in photographer Mary Ellen Mark’s book “Tiny: Streetwise Revisited.” She is LaShawndrea, the eldest daughter of Erin “Tiny” Blackwell. Of all the remarkable photos in that book, this one really struck me.
When I saw the film “TINY: The Life of Erin Blackwell” on Oct. 14, 2016 at the Seattle Public Library, it was LaShawndrea again who intrigued me the most. I sympathized with her because of a scene where she complains that Erin was not there for her. “She’s rejected me a lot,” narrates LaShawndrea.
I related to that scene because it reminded me of the strained relationship between my mother and grandmother; I have heard my mother make a similar remark about my grandmother which was one main reason LaShawndrea resonated with me. I can understand how it hurts to not feel true love from your mother. It seems the rejection from her mother has impacted LaShawndrea into her adult life.
The screening of “TINY” was part of The Seattle Public Library’s public education program, “Streetwise Revisited,” which focused on “Tiny” from the 1984 documentary film “Streetwise.” Our project was a community partner, and we participated by screening the original “Streetwise” film, among other activities. (You can read my post about “Streetwise” and our guest, Erin’s daughter Keanna, here.)
The first thing that I wanted after seeing “Streetwise” was answers. After watching the acclaimed 1984 documentary and getting such a candid look into the lives of the nine children, I felt as though I developed an intimate connection to each of them. I knew that “Streetwise” was only one chapter in each of their stories, and I desperately wanted to know more.
In fact, I felt entitled to know more. After all, they had opened up their lives for all to see in the most raw, uncensored way. Wouldn’t they be used to sharing their lives with the world by now?
This is why I was so excited to attend the screening of “Tiny: The Life of Erin Blackwell” – the new film about one of the children in “Streetwise” — at The Seattle Public Library on Oct. 14. Both “Tiny” herself — Erin Blackwell — and director Martin Bell would be the special guests.
As I took my seat in the audience, I couldn’t help but wonder what I would find out from Erin and Martin about the “stars” of “Streetwise.” Where are they now? Are they still homeless? Are they still struggling with addiction? Or, had things gotten better for them? Maybe they got the help they needed. Maybe the film was a turning point for them. Maybe some of them are here today. All of these thoughts filled my mind as the lights dimmed and the movie began. I was ready for answers.
“It didn’t change anything for us then,” said Erin “Tiny” Blackwell’s daughter Keanna Pickett about the impact of the documentary “Streetwise” on her family. “When people watch it, it’s a movie. You’re able to go about your life after you watch it.” In other words, Keanna was able to remove herself emotionally because the film can elicit powerful emotions that may be uncomfortable to deal with.
However, when “Tiny’s” daughter tells you that “Streetwise” should be used as the catalyst for an “uncomfortable conversation” about family and youth homelessness, you listen. Continue reading
By Khadija Diallo, project assistant, Seattle University Project on Family Homelessness
Keanna Pickett said that she “had to fight for her life from her first breath.”
When Keanna said that at our campus screening of the film “Streetwise” Oct. 7, it stuck with me, because most of us fight to succeed and make something of our lives. But for Keanna, that quote had more meaning — because she said her mother, Erin “Tiny” Blackwell, while pregnant with her, did “every possible drug” to try to kill her in the womb.
That sort of revelation from her mother could have possibly caused a permanent rift in their relationship. Apparently it didn’t, because Keanna seemed perfectly comfortable talking about her difficult upbringing. Continue reading
Michelle Dunn Marsh of Photographic Center Northwest describes the enduring legacy of her mentor at this “Streetwise Revisited” event at The Seattle Public Library
By Shan Yonamine, Project Assistant, Seattle University Project on Family Homelessness
When I think of the “Streetwise” documentary, the image that immediately fills my mind is “Tiny in her Halloween costume” – the iconic photo of Erin “Tiny” Blackwell dressed elegantly in black, her stare piercing through the thin veil over her eyes. Many people will recognize this photo of Tiny, but they may not know about the photographer who made this iconic photo.
I had the opportunity to attend an art history talk on Oct. 5 by Michelle Dunn Marsh – the executive director of Photographic Center Northwest and colleague of renowned documentary photographer, Mary Ellen Mark – and I learned more about the photographer behind this classic image.
By Shan Yonamine, Project Assistant, Seattle University Project on Family Homelessness
When I joined this team a few months ago, I was given the chance to watch and react to films about youth and family homelessness. My favorite, by far, was “Streetwise.”
It has been over three decades since this revered documentary first stunned the American public; however, the legacy of the film lives on, as many of the social issues illuminated in the film remain extremely relevant today. After watching “Streetwise” I found that it is not only an artistic representation of youth homelessness in Seattle, but also a powerful tool for advocacy.
As a project, we recognize the historical poignancy of this film, and we will be hosting a free screening on Friday, Oct.7 at Seattle University for anyone who wants the opportunity to watch this significant documentary. This is part of The Seattle Public Library’s “Streetwise Revisited” project, and the screening is just one way we are supporting the project.
In “Streetwise,” renowned photographer Mary Ellen Mark, her husband, Martin Bell and producer Cheryl McCall take us on a journey by providing us with a firsthand perspective on what it’s like to be a homeless youth living on the streets of Seattle – a perspective that was only made possible by spending months observing, building relationships with and gaining the trust of the children they chronicled.
After watching “Streetwise” for the first time, I was taken aback to say the least. The film is stunning, raw, heartbreaking and beautiful all at the same time, which is not what I expected from a “documentary about youth homelessness in Seattle.” Continue reading
The revered documentary photographer Mary Ellen Mark died months ago, but we felt her presence very strongly as we watched her final work on the night of Feb. 18, 2016. Continue reading
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