“The Florida Project” — Homelessness at the End of the Rainbow

It’s up to advocates to connect this story of family homelessness to action

By Katie Bradley, project assistant, Seattle University’s Project on Family Homelessness

 

As the credits for The Florida Project rolled, I was floored. This movie made me cry while I sat in the theater, and I didn’t even cry when I saw Titanic for the first time as a child. A movie about a family living in poverty at an Orlando budget motel got to me in the most heart-wrenching way.

I had just seen a raw portrait of family homelessness set in contrast with the happiest place on earth, Disney World. It made me want to do something to help families living like those depicted in the film. But I felt lost with what I could do, and it left me with my head spinning.

Fortunately for me, I work with a bunch of people who think about family homelessness all the time, and we think that we may be able to connect audiences to action, which we will explore later. First, here’s a description of this remarkable film and what it says about family homelessness.

Bobby and Moonee on balcony
Bobby (Willem Dafoe) and Moonee (Brooklynn Prince), the two main characters in the movie, at the real-life Magic Castle budget hotel.  Credit: IMDB.

 

The Florida Project is a breakout movie that depicts the struggles of living in poverty from a childhood perspective, set in a not-so-magical purple budget motel, the Magic Castle. The film depicts the often-unseen struggles of homelessness, which director and co-writer Sean Baker calls the “hidden homeless,” to represent the life of the modern-day “Little Rascals” who live a “life on the margins.” Continue reading

What I Learned About Family & Youth Homelessness from #SeaHomeless

Tess Riski headshot

By Tess Riski, Project Assistant, Seattle University Project on Family Homelessness

Editor’s Note: Seattle University Journalism and Teaching for Humanities rising senior Tess Riski recently joined our project team. This is her first post for our project. Read more about her here.

 

All day this past Wednesday, June 28, a host of Seattle media outlets participated in #SeaHomeless and concentrated their reporting on a group of people often kept in the shadows of mainstream news coverage: those experiencing homelessness.

I just started my position as Project Assistant at the Seattle University Project on Family Homelessness, and this last week has been an intense learning process for me. Continue reading

Mental Illness — What About the Family?

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Credit:  A United Methodist Board of Church and Society web-only graphic by Michelle Whittaker.

By Khadija Diallo, Project Assistant, Project on Family Homelessness

Kianna is 17 years old. She suspects that she has depression. She only recently started experiencing symptoms of her mental illness, so she’s having a hard time adjusting.  To complicate her situation, she’s homeless along with the rest of her family. Her parents lost their jobs in January and could no longer afford rent. They ended up having to move from shelter to shelter. Continue reading

Behind the Scenes: Visualizing Data About Student Homelessness

By Mandy Rusch, Digital Design Project Assistant, Project on Family Homelessness

This past winter, Schoolhouse Washington approached us with an exciting new project: to create visualized data graphics for use in their communication materials. In this post, I will describe my approach and learning process over the course of the project, which taught me a lot about what it takes to develop advocacy tools.

Schoolhouse Washington is a partnership between Building Changes and Columbia Legal Services. The organization was formed because these two partners wanted to get more directly involved in advocacy to improve housing stability and advance educational success for the nearly 40,000 students in our state who experience homelessness.

One important way that Schoolhouse Washington advocates is through the use of data. They analyze the student homelessness data provided by the Office of the Superintendent of Public Instruction, which is important to share because it helps describe needs to lawmakers and policymakers.

Graphic data visualizations, or “infographics,” are an incredibly powerful way to share data like this. The use of images and charts to show data visually helps to tell a clear message that is easier for viewers to digest than a written document alone. Continue reading

“Seeing Is Active” — A Collection of Memorable Quotes from “Streetwise Revisited”

By Shan Yonamine, Project Assistant, Seattle University Project on Family Homelessness

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Introduction – This project and my purpose

It has been over two weeks since the “Streetwise Revisited” exhibit at The Seattle Public Library  has closed, and I am still finding myself thinking about the project and reflecting on my experiences. I find myself torn between wishing that it wasn’t over, and feeling so grateful that it happened that I decided to reflect on it even further.

“Streetwise Revisited” was The Seattle Public Library’s public education program focused on “Streetwise,” the 1984 documentary film, and the 30-year collection of photos by the renowned documentary photographer Mary Ellen Mark. It consisted of a range of events from history talks to film screenings, and involved many important advocacy organizations that are also working to end homelessness.

Because the Seattle University Project on Family Homelessness  was a community partner, I took the opportunity to attend as many of the “Streetwise Revisited” events as possible and I’m so glad that I did. The project provided me with an overwhelming amount of insight on “Streetwise” and how it can be used as a tool for advocacy. I heard the perspectives of many individuals who either had a role in the original film or who are working today to advocate for people who are experiencing homelessness. More importantly, I realized that, as advocates, we are all powerfully connected by our cause.

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“Create Change” — A Day to Change How We Think about Art, Advocacy and Homelessness

By Mandy Rusch, Digital Design Project Assistant, Project on Family Homelessness

Art is my coping mechanism. During the artistic process, there is power in the hands of the maker. Regardless of whether anyone sees the result or even if it is “good,” this power is healing, inspiring and uplifting.

At The Seattle Public Library’s “Create Change: Youth & Family Homelessness and the Arts” event on Oct. 29, 2016, I had the opportunity to come together with a community of people to find out how art can be used to take action towards ending youth and family homelessness. You can see an in-depth description of the full day of performances, speakers and arts events here in this story by my colleague Shan.

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Mothers, Daughters, Conflict — The New “Tiny” Movie Hits Home

 

Editor’s Note: As part of our ongoing “Streetwise Revisited” work, our student project assistants are blogging about key events. Both Khadija and Shan wrote about the “TINY” screening, first Shan and now Khadija.

By Khadija Diallo, Project Assistant, Project on Family Homelessness

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“LaShawndrea with a black eye doing her hair,” the photo that struck me most. Credit:  Photo I took of the photo by Mary Ellen Mark from the book “Streetwise Revisited.”

 

 

There’s a teenage girl with a black eye in photographer Mary Ellen Mark’s book “Tiny: Streetwise Revisited.” She is LaShawndrea, the eldest daughter of Erin “Tiny” Blackwell. Of all the remarkable photos in that book, this one really struck me.

When I saw the film “TINY: The Life of Erin Blackwell” on Oct. 14, 2016 at the Seattle Public Library, it was LaShawndrea again who intrigued me the most. I sympathized with her because of a scene where she complains that Erin was not there for her. “She’s rejected me a lot,” narrates LaShawndrea.

I related to that scene because it reminded me of the strained relationship between my mother and grandmother; I have heard my mother make a similar remark about my grandmother which was one main reason LaShawndrea resonated with me. I can understand how it hurts to not feel true love from your mother. It seems the rejection from her mother has impacted LaShawndrea into her adult life.

The screening of “TINY” was part of The Seattle Public Library’s  public education program, “Streetwise Revisited,” which focused on “Tiny” from the 1984 documentary film “Streetwise.” Our project was a community partner, and we participated by screening the original “Streetwise” film, among other activities. (You can read my post about “Streetwise” and our guest, Erin’s daughter Keanna, here.)

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There Is No Perfect Answer — What I Learned from “Tiny – The Life of Erin Blackwell”

 

By Shan Yonamine, Project Assistant, Seattle University Project on Family Homelessness

Erin crying and smoking, Seattle, 2004
Erin crying and smoking, Seattle, 2004. Photo by Mary Ellen Mark.

 

The first thing that I wanted after seeing “Streetwise” was answers. After watching the acclaimed 1984 documentary  and getting such a candid look into the lives of the nine children, I felt as though I developed an intimate connection to each of them. I knew that “Streetwise” was only one chapter in each of their stories, and I desperately wanted to know more.

In fact, I felt entitled to know more. After all, they had opened up their lives for all to see in the most raw, uncensored way. Wouldn’t they be used to sharing their lives with the world by now?

This is why I was so excited to attend the screening of “Tiny: The Life of Erin Blackwell” – the new film about one of the children in “Streetwise” — at The Seattle Public Library on Oct. 14. Both “Tiny” herself — Erin Blackwell — and director Martin Bell would be the special guests.

As I took my seat in the audience, I couldn’t help but wonder what I would find out from Erin and Martin about the “stars” of “Streetwise.” Where are they now? Are they still homeless? Are they still struggling with addiction? Or, had things gotten better for them? Maybe they got the help they needed. Maybe the film was a turning point for them. Maybe some of them are here today. All of these thoughts filled my mind as the lights dimmed and the movie began. I was ready for answers.

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“The Uncomfortable Conversation” — Using “Streetwise” as a Tool for Advocacy

Editor’s Note: As part of our ongoing “Streetwise Revisited” work, our student project assistants are blogging about key events. Both Khadija and Shan wrote about the “Streetwise” screening, first Khadija and now Shan.

By Shan Yonamine, Project Assistant, Seattle University Project on Family Homelessness

 

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Poster for our campus screening of “Streetwise,” designed by Amy Phung.

 

“It didn’t change anything for us then,” said Erin “Tiny” Blackwell’s daughter Keanna Pickett about the impact of the documentary “Streetwise” on her family. “When people watch it, it’s a movie. You’re able to go about your life after you watch it.” In other words, Keanna was able to remove herself emotionally because the film can elicit powerful emotions that may be uncomfortable to deal with.

However, when “Tiny’s” daughter tells you that “Streetwise” should be used as the catalyst for an “uncomfortable conversation” about family and youth homelessness, you listen. Continue reading

The Fight for Her Life — “Streetwise” and Keanna’s Triumphant Story

Editor’s Note: As part of our ongoing “Streetwise Revisited” work, our student project assistants are blogging about key events. Both Khadija and Shan wrote about the “Streetwise” screening; here’s how Khadija saw it.

By Khadija Diallo, project assistant, Seattle University Project on Family Homelessness 

 

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Keanna Pickett, educator, photographer, social justice activist and daughter of Erin “Tiny” Blackwell.

Keanna Pickett said that she “had to fight for her life from her first breath.”

When Keanna said that at our campus screening of the film “Streetwise” Oct. 7, it  stuck with me, because most of us fight to succeed and make something of our lives. But for Keanna, that quote had more meaning — because she said her mother, Erin “Tiny” Blackwell, while pregnant with her, did “every possible drug” to try to kill her in the womb.

That sort of revelation from her mother could have possibly caused a permanent rift in their relationship. Apparently it didn’t, because Keanna seemed  perfectly comfortable talking about her difficult upbringing. Continue reading